Blackmagic URSA 4.6K EF
İyun 2, 2016Blackmagic URSA EF
İyun 3, 2016Blackmagic URSA 4.6K PL
URSA camera body with the PL lens mount and large 4.6K Super 35 image sensor with 15 stops of dynamic range and the film industry PL lens mount installed. URSA PL is ideal when you need to use feature film industry PL mount lenses for the most cinematic optics available!
Sensor Size
25.34mm x 14.25mm (Super35)
Shooting Resolutions
4608 x 2592
4096 x 2304 (4K 16:9)
4608 x 1920 (4K 2.4:1)
3840 x 2160 (Ultra HD)
3072 x 2560 (3K Anamorphic)
2048 x 1152 (2K 16:9)
1920 x 1080
Frame Rates
Maximum sensor frame rate dependent on resolution and codec selected.
Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Dynamic Range
15 stops
Focus
Manual
Iris Control
Manual
Lens Mount
PL Mount
Screen Dimensions
1 x 10.1” – 1920 x 1200
2 x 5” – 800 x 480
Screen Type
10.1” – TFT-LCD
5” – Integrated LCD capacitive touchscreen
Metadata Support
Automatic camera data and user data such as shot number, filenames and keywords.
Controls
Touchscreen menus on 5” screen. Push button controls for settings and navigating menus.
Microphone
Integrated stereo microphone.
Speaker
Integrated mono speaker
Mounting Options
Multiple 3/8”-16 UNC thread mounting on top of camera and on handle. Integrated rod mounts compatible with 15mm Light Weight Support standard.
Storage Features
Storage Rates
4608 x 2592
CinemaDNG RAW 3:1 – 180 MB/s
CinemaDNG RAW 4:1 – 135 MB/s
3840 x 2160
Apple ProRes 444 XQ – 250 MB/s
Apple ProRes 444 – 165 MB/s
Apple ProRes 422 HQ – 110 MB/s
Apple ProRes 422 – 73.6 MB/s
Apple ProRes 422 LT – 51 MB/s
Apple ProRes Proxy – 22.4 MB/s
1920 x 1080
Apple ProRes 444 XQ – 62.5 MB/s
Apple ProRes 444 – 41.25 MB/s
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
Apple ProRes 422 LT – 12.75 MB/s
Apple ProRes Proxy – 5.6 MB/s
Storage rates based on 30 frames per second.
Storage Type
CFast 2.0
Recording Formats
Lossless CinemaDNG RAW, RAW 3:1 and RAW 4:1 with film dynamic range at 4608 x 2592, 4096 x 2304, 4608 x 1920, 3072 x 2560, and 2048 x 1152. Apple ProRes 3840 x 2160 and 1920 x 1080 with either film or video dynamic range. RAW 3:1 files compatible with DaVinci Resolve, but may be incompatible with other software applications. Please check with your software vendor for RAW 3:1 support updates.
Connections
SDI Video Output
1 x 12G-SDI 10-bit 4:2:2. 1 x 3G-SDI down converted for external monitoring
SDI Video Input
1 x 12G-SDI
Ref Input
1 x BNC Reference Input
Timecode Input
1 x BNC Timecode Input
Timecode Output
1 x BNC Timecode Output
Analog Audio Input
2 x XLR analog switchable between mic and line levels. Phantom power support.
Analog Audio Output
1/4” jack output for headphone monitoring
SDI Audio Output
2 channel
Remote Control
1 x 2.5mm LANC for Rec Start/Stop.
Computer Interface
USB 2.0 Mini-B port for software updates.
Standards
SDI Compliance
SMPTE 292M, SMPTE 424, Draft SMPTE 2081-1, Draft SMPTE 2082-1
SDI Audio Sampling
48 kHz and 24 bit
Software
Software Included
DaVinci Resolve Studio grading software including Resolve USB dongle for Mac OS X and Windows.
Blackmagic Media Express software.
Blackmagic Disk Speed Test.
Blackmagic Camera Setup.
Operating Systems
Mac OS X 10.11 El Capitan or later.
Power Requirements
External Power Input
1 x 4-pin XLR port for external power or battery use.
External Power Output
1 x 12V output using 4-pin XLR for powering external accessories such as EVF.
Power
Rear camera mount compatible with industry standard V-mount or Gold Mount battery plates.
Accessories
Optional Accessories
Shoulder Kit with 15mm Light Weight Support and Rosettes
Vlock Battery Plate
PL Mount Shim Kit
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